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ANIMALS, BIRDS, FISH & INSECTS
ANT: Christian industry.
APE: In art it depicts malice.
ASS: Humility. Patience. Animal of the poor.
BASILISK: A fabled creature, based on Psalm 91:13: naming four animals for the Antichrist. These were interpreted by St. Augustine as four aspects of the Devil, who was trodden down by the triumphing Christ. Although a well-established symbol, and often represented in the Middle Ages, the basilisk rarely appears in Italian paintings of the Renaissance.
BAT: Night. Desolation.
BEAR [wild]: Cruelty and evil influence. In the Old Testament it represented the kingdom of Persia.
BEAR [tame]: Christianity.Typical is the life of St. Euphemia, who, when thrown to wild animals in the arena, was shown honor by a bear who appeared tame, and would not eat her.
BEE: Tireless activity. Regal power. Chastity. Also associated with St. Rita of Cascia.
BIRDS: Symbol of the "winged soul." Many artists have the Child Jesus holding a bird in His hand.
BLACKBIRD: The black feathers and melodious song represented the temptation of sin. Tradition tells us that one day when St. Benedict was praying the Devil appeared to him in the form of a blackbird which tried to divert him from his devotions. St. Benedict was not fooled: he made the Sign of the Cross and the Devil departed in haste.
BULL: Depicts strength; sometimes St. Sylvester is shown with a bull at his feet because he brought back a dead bull to life. If the bull is made of brass, this is a symbol of St. Eustace who was Martyred with his family by being encased in a brass bull under which a fire was ignited.
BUTTERFLY: Resurrection of Christ.
CAMEL: Represents the virtue of temperance because he can go a long time without water. Also a sign of royalty in the Old Testament. Camel's hair is one of the the symbols of St. John the Baptist.
CAT: Symbolizes laziness and lust generally because of its indolent habits, although the cat is a symbol of good, for instance, when it is shown with the Virgin because tradition has it that a cat gave birth to a litter of kittens in the stable at Bethlehem. Several Annunciation images portray the Virgin Mary with a little cat near her feet.
CENTAUR: This mythic animal, part horse, part man is a symbol of St. Anthony Abbot because a mysterious animal appeared to him to point the way to reach St. Paul the Hermit in the desert.
COCK: Because the cock crows early in the morning, it symbolizes vigilance, but when depicted in a painting of St. Peter, it signifies his denial of Jesus Christ and subsequent repentance. Thus the cock is now a symbol of the Passion. [John 13:38]
CRANE: Vigilance. Loyalty and good works. Good order in monastic life. It is thought that at night some cranes maintain watch for the others.
CROCODILE: Hypocrisy.
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DOG: Fidelity. Loyalty. Watchfulness. Orthodoxy. There are many examples of the faithfulness of dogs, such as the dog of [St.] Tobias and St. Roch, which brought bread to the Saint and remained at his side. A dog with a flame is a symbol of St. Dominic. Occasionally black and white dogs were used as symbols of the Dominicans [Domini canes, that is dogs of the Lord] because the friars wear black and white robes.
DOLPHIN: Resurrection. Faith. Love. Society. Since they swim alongside ships, they symbolize Christ guiding the Church. Often the dolphin is used to depict the whale of Jonah. When the dolphin is pictured with an anchor it represents the Catholic Church.
DOVE: Purity. Innocence. Peace. At the time of the flood, when Noah sent out for the last time the dove from the ark, it brought back an olive branch to show that the waters had receded and that God made peace with man. Under the Mosaic law the dove was used during the purification ceremony after the birth of a child. Thus one sometimes sees paintings of the Presentation of the Child Jesus with Joseph bearing two white turtledoves. [Luke 2:22, 24] As an emblem of purity the dove sometimes appears on top of St. Joseph's rod to show that he was chosen to be the husband of the Virgin Mary. The dove was seen by the father of St. Catherine of Siena above her head while she was in prayer. The most important use of the dove in art, however, is as the symbol of the Holy Ghost, which first appears as such at the Baptism of Christ [John1:32]. The dove, symbol of the Third Person the Holy Trinity, is shown in images of the Trinity, Baptism, the Annunciation and with the Host and or Chalice at Holy Mass.
Seven doves are used to represent the seven spirits of God or the Holy Spirit in its sevenfold gifts of Grace. This refers to the prophecy of Isaiah 11:1, 2: "And there shall come forth a rod out of the root of Jesse, and a flower shall rise up out of his root. And the spirit of the Lord shall rest upon him: the spirit of wisdom, and of understanding, the spirit of counsel, and of fortitude, the spirit of knowledge, and of godliness."
The dove is also connected with the lives of several Saints other than St. Catherine. For instance, it is the attribute of St. Benedict because he saw the soul of his dead sister Scholastica fly up to Heaven in the shape of a white dove. The dove is also used as an attribute of St. Gregory the Great, for the dove of the Holy Spirit perched upon St. Gregory's shoulder while he wrote.
DRAGON: Satan.
Dragon chained or underfoot: The conquest of evil.
The dragon as the enemy of God is vividly portrayed in Revelation 12:7-9: "And there was a great battle in heaven, Michael and his angels fought with the dragon, and the dragon fought and his angels: And they prevailed not, neither was their place found any more in heaven. And that great dragon was cast out, that old serpent, who is called the devil and Satan, who seduceth the whole world; and he was cast unto the earth, and his angels were thrown down with him."
The dragon, expelled from Heaven, continues his war against God. Thus, he is depicted as the devouring monster who angrily destroys his victims. The dragon is the attribute of St. Margaret, and of St. Martha, both of whom are said to have fought, and vanquished, a dragon. It is also the attribute of a number of other Saints, including St. George of Cappadocia, who slew the dragon 'through the power of Jesus Christ.' The dragon appears with the Apostle Philip, St. Sylvester, and the Archangel Michael, who is often shown with a dragon under foot, in token of his victory over the powers of of darkness. The serpent, symbolizing the Devil and Satan, is depicted as the tempter of Adam and Eve. 'And the Lord God said unto the woman, What is this that thou hast done? And the woman said, The serpent beguiled me, and I did eat' [Genesis 3:13]. Thus, the serpent represents in general the wily tempter that betrays man into sin. The serpent is sometimes portrayed at the foot of the Cross to signify that the evil power responsible for man's fall has been overcome by the power of Christ, Who died that man might be redeemed.
EAGLE: The eagle may generally be interpreted as a symbol of the Resurrection. This is based upon the early belief that the eagle, unlike other birds, periodically renewed its plumage and its youthful vigor by flying near the sun and then plunging into the water. This interpretation is further borne out by Psalm 103:5: '. . . thy youth shall be renewed like the eagle's.'
The eagle is also used to represent the new life begun at the baptismal font and the Christian soul strengthened by grace. 'But they that hope in the Lord shall renew their strength, they shall take wings as eagles, they shall run and not be weary, they shall walk and not faint.' [Isaiah 40:31]. The eagle is said to have the ability to soar until it is lost to sight, and still retain its ability to gaze into the blazing midday sun. For this reason, it has come to symbolize Christ. In a more general sense, it symbolizes those who are just; or stands for the virtues of courage, faith, and contemplation. More rarely, when it is depicted as a bird of prey, the eagle suggests the demon who ravishes souls, or the sins of pride and worldly power.
The eagle also symbolizes generosity. It was believed that the eagle, no matter how great its hunger, always left half its prey to the birds that followed.
The eagle is the particular attribute of St. John the Evangelist. The vision of Ezekiel 1:5, 10: "And in the midst thereof the likeness of four living creatures: and this was their appearance: there was the likeness of a man in them. ...And as for the likeness of their faces: there was the face of a man, and the face of a lion on the right side of all the four: and the face of an ox, on the left side of all the four: and the face of an eagle over all the four." is interpreted as referring to the four evangelists. Because St. John, in his Gospel, soared upward in his contemplation of the Divine nature of the Saviour, the eagle became his symbol. In a more general sense, the eagle came to represent the inspiration of the Gospels. It is from this symbolic interpretation that the lectern, from which the Gospels are read, is often given the form of a winged eagle.
EGG: Hope. Resurrection. The meaning is taken from the manner in which the young chick breaks forth from the egg at its birth.
ERMINE: Purity: the is small animal has a whitish fur and is said to prefer death to being defiled.
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FALCON [wild]: Evil thought or action.
FALCON [tame or domestic]: Holy man or Gentile converted to Catholicism. Courtliness: a symbol of the page accompanying the Magi
FISH: Baptism. Believers. The symbol of Christ Himself, the most frequent symbolic use because nullthe five Greek letters forming the word 'fish' are the initial letters of the five words: 'Jesus Christ God's Soul Saviour'. In this sense, the fish symbol was frequently used in Early Christian art and literature. The fish is also used as a symbol of Baptism, for, just as the fish cannot live except in water, the Christian cannot live save through the waters of Baptism.
In Renaissance imagery, the fish is given as an attribute to Tobias because the gall of a fish restored the sight of his father Tobit; it is also given as an attribute to St. Peter, an allusion to his being a fisherman; and to St. Anthony of Padua, who preached to the
fish.
FLY: The fly has long been considered a bearer of evil or pestilence. In Catholic symbolism the fly is a symbol of sin. It sometimes appears in pictures of the Virgin and Child to convey the idea of sin and redemption. The fly as a bringer of disease was sometimes shown with the goldfinch, a 'saviour-bird' against the disease.
FOX: Cunning. Fraud. Lust. Cruelty. Traditionally the symbol of cunning and guile, the fox symbolized the Devil. Though it was shown frequently in sculpture during the Middle Ages, it was for the most part confined to book illustration during the Renaissance.
FROG: This has two opposite meanings:
1. Because of its reappearance after winter's hibernation, the Resurrection.
2. Because of its continual croaking and the fact that one of the plagues of Egypt was a rain of frogs [Chapter 8], it is sometimes the symbol of heretics or the repulsiveness of sin itself. More loosely, it is interpreted as a symbol of those who snatch at life's fleeting pleasures; hence it represents worldly things in general.
GIRAFFE: In the Renaissance the giraffe was depicted more because of its strange appearance and its rarity among animals in Europe than for any symbolic meaning.
GOAT: Fraud. Lust. Cruelty. The damned at the Last Judgement.
This interpretation is based upon a long passage in the Bible (Matthew 25:31-46) which relates how Christ upon His coming, shall separate the believing from the unbelieving, as the shepherd separates the sheep from the goats. In the Renaissance the goat was usually shown in order to distinguish the sinners from the righteous.
GOLDFINCH: The goldfinch is fond of eating thistles and thorns, and since all thorny plants have been accepted as an allusion to Christ's crown of thorns, the goldfinch has become an accepted symbol of the Passion of Christ. In this sense, it frequently appears with the Christ Child, showing the close connection between the Incarnation and the Passion.
GOOSE: Since the time of the Romans, the goose has been a symbol of providence and vigilance. The legend of the Capitoline geese that saved Rome from the invasion of the Gauls is well known. In Catholic art the goose is sometimes given as an attribute to St. Martin of Tours, because a goose is supposed to have revealed his hiding place to the inhabitants of Tours, who had come to call the Saint to be their bishop.
GRASSHOPPER (Locust): The grasshopper, or locust, was one of the plagues visited upon the Egyptians because the Pharaoh's heart was hardened against the Word of the Lord. Accordingly, the grasshopper when held by the Christ Child is a symbol of the conversion of nations to Catholicism. This meaning is also derived from Proverbs 30:27: "The locust hath no king, yet they all go out by their bands," a passage early interpreted as referring to the nations formerly without Christ for their King. St. John the Baptist was said to have fed on locusts.
GRIFFIN: This mythic creature, usually depicted with the head and wings of an eagle and the body of a lion, is used with two different and opposite meanings; on the one hand to represent the Saviour; on the other, because it is a combination of the preying of the eagle and the fierceness of the lion, to symbolize those who oppress and persecute Christians.
HARE/RABBIT: Lust. Hare/Rabbit at the feet: Victory over lust.
The hare, itself defenseless, is a symbol of men who put the hope of their salvation in the Christ and His Passion. A white hare is sometimes placed at the feet of the Virgin Mary to indicate her triumph over lust.
HOG: The hog is used to represent the demon of sensuality and gluttony. It is frequently shown as one of the attributes of St. Anthony Abbot, who is reputed to have vanquished this demon.
HORSE: In ancient times the horse was the emblem of the sun, as the ox was that of the moon. In the Renaissance, however, the horse was most often depicted as a symbol of lust. This interpretation is based on Jeremiah 5:8: "They are become as amorous horses and stallions, every one neighed after his neighbour's wife.."
HYENA: The unstable. Those who feed on false doctrine.
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LAMB: Innocence. Gentleness. Patience. Humility. Symbol of Christ in His sacrificial role. Many scriptural passages give authority for this symbolism. One reference is John 1:29: "The next day, John saw Jesus coming to him, and he saith: Behold the Lamb of God, behold Him who taketh away the sin of the world." The Holy Lamb is often depicted with a nimbus, standing upon a small hill from which four streams of water flow [Revelation 14:1]. The hill represents the Church of Christ, the mountain of God's house. The streams represent the four Holy Gospels, the four rivers of Paradise, ever flowing and refreshing the pastures of the Church on earth. In pictures where Christ is shown as the rescuing shepherd, the lamb is also used to symbolize the sinner. This subject, usually called the Good Shepherd, is very frequent in Early Christian art, but was seldom used in the Renaissance. During the Renaissance the lamb was often depicted in representations of the Holy Family with the Infant St. John. Here, the lamb alludes to St. John's mission as the forerunner of Christ, and his recognition of Christ as the Lamb of God at the time of His Baptism. This meaning is indicated by the portrayal of St. John the Baptist pointing to a lamb which he usually holds in his left hand.
The lamb (Latin, agnus) is given as an attribute to St. Agnes, who was Martyred because she declared herself to be the bride of Christ and refused to marry. It is also found as an attribute of St. Clement, who was guided by a lamb to the spot where he found water.
LARK: The lark, because it flies high and sings only when in flight toward Heaven, has been taken as the symbol of the humility of the priesthood.
LEOPARD: The leopard is a symbol of sin, cruelty, the Devil, and the Antichrist. It sometimes appears in representations of the Adoration of the Magi to show that the Incarnation of Christ was necessary for redemption from sin.
LION: Strength. Our Lord. Courage. Fortitude. Kingliness. The lion is used in Renaissance art with various meanings, depending upon the circumstances. In general, when it is used it is emblematic of strength, majesty, courage, and fortitude. Because it once was believed that young lions are born dead, but come to life three days after birth when breathed upon by their sire, the lion has become associated with the Resurrection, and this is why it is a symbol of Christ, the Lord of Life.
The lion is one of the four animals that appear in the prophecy of Ezechiiel. He is the symbol of the Evangelist Mark because St. Mark in his Gospel dwells most fully upon the Resurrection of Christ and proclaims with great emphasis the royal dignity of Christ. The winged lion is invariably the attribute of St. Mark, and appears also as the emblem of Venice, because this city was under the protection of St. Mark. St. Jerome is also closely identified with the lion. According to tradition the Saint removed a painful thorn from the paw of a lion, who thereupon became his close and faithful friend. It was a medieval belief that the lion slept with its eyes open. For this reason, he also became a symbol of watchfulness. In rarer instances the lion, because of its pride and fierceness, was used as symbol of the Prince of Darkness, this interpretation being suported by Psalm 90:13: "Thou shalt walk upon the asp and the basilisk: and thou shalt trample under foot the lion and the dragon." This passage is interpreted as Christ triumphing over the Devil. In addition, lions appear as attributes of St. Mary of Egypt, St. Euphemia, St. Onuphrius, and St. Paul the Hermit.
OWL: The owl, since it hides in darkness and fears the light, has come to symbolize Satan, the Prince of Darkness. As Satan deceives humanity, so the owl is said to trick other birds, causing them to fall into the snares set by hunters. The owl also symbolizes solitude and, in this sense, appears in scenes of hermits at prayer. Its most ancient-thought attribute, however, is that of wisdom, and with this meaning, it is sometimes shown with St. Jerome. In another sense, the owl is an attribute of Christ, Who sacrificed Himself to save mankind, "To enlighten them that sit in darkness, and in the shadow of death: . . ." [Luke 1:79]. This explains the occasional presence of the owl in scenes of the Crucifixion.
OX: Patience. Strength. Service. Endurance. Sacrifice. The ox, a sacrificial animal of the Jews, was often used in Renaissance painting to represent the Jewish nation. It is also a symbol of patience and strength and almost invariably, the ox and the ass appear together in paintings of the Nativity. In the writings of some of the early Christian fathers, the ox is accepted as a symbol of Christ, the True Sacrifice. This symbol is similarly used to represent all who patiently bear their yoke while laboring in silence for the good of others. The winged ox is the attribute of St. Luke because of his emphasis upon the sacrificial aspects of our Lord's atonement as well as upon the Divine priesthood.
PARTRIDGE: In a good sense, the partridge is used as a symbol of the Church and of truth; but it is ordinarily symbolic of deceit and theft, and in a more general sense, of the Devil: "As the partridge hath hatched eggs which she did not lay: so is he that hath gathered riches, and not by right: in the midst of his days he shall leave them, and in his latter end he shall be a fool." [Jeremiah 17:11]
PEACOCK: In Catholic art the peacock is used as the symbol of immortality. This symbolism is derived from an ancient belief that the flesh of the peacock does not decay. It is with this meaning that it appears in scenes of the Nativity. The 'hundred eyes' in the peacock's tail are sometimes used to symbolize the 'all seeing' Church. The peacock's habit of strutting and displaying the beauty of its feathers has caused it also to become a symbol of worldly pride and vanity. A peacock's feather is sometimes an attribute of St. Barbara, in reference to Heliopolis, the city of her birth.
PELICAN: According to ancient belief, the pelican, which has the greatest love of all creatures for its offspring, pierces its breast to feed
them with its own blood: It is on this basis that the pelican came to symbolize Christ's sacrifice on the Cross, because of His love for all mankind. In this sense, it also symbolizes the Eucharistic Sacrament. This interpretation is supported by Psalm 101:7: "I am become like to a pelican of the wilderness: . . . ," which is an accepted allusion to Christ. The pelican is sometimes shown nesting on the top of the Cross.
PHOENIX: The phoenix was a mythic bird of great beauty which lived in the Arabian wilderness. Its life span was said to be between three hundred and five hundred years. Periodically, it burned itself upon a funeral pyre; whereupon, it would rise from its own ashes, restored to all the freshness of youth, and would try upon another cycle of life. The phoenix was introduced into Christian symbolism as early as the first century, when the legend of this bird was related by St. Clement in his first Epistle to the Corinthians. In early Catholic art, the phoenix constantly appears on funeral stones, its particular meaning being the resurrection of the dead and the triumph of eternal life over death. The phoenix later became a symbol of the Resurrection of Christ, and commonly appears in connection with the Crucifixion. In another sense, the phoenix stands for faith and constancy. Though popular in the art of the Middle Ages, the phoenix is rare in Italian Renaissance paintings.
RAM: Symbol of Christ. Leader of the herd. Because the ram is the leader of the herd, it is used as a symbol for Christ. Also, in the same way that the ram fights with the wolf and vanquishes him, so Christ battles with Satan and is victorious. The ram, the animal God caused to be placed in a thorny bush so that Abraham might sacrifice it in place of his son Isaac, represents Christ crowned with thorns and sacrificed for mankind. In a general sense, the ram is used as symbol for strength.
RAT/MOUSE: The rat, or the mouse, because of its destructiveness, is symbolic of evil. It is rarely seen in Renaissance art except as an attribute of St. Fina. The mouse is also a symbol for St. Gertrude of Nivelles, the patron of those who fear mice.
RAVEN: According to a Jewish legend, the raven was originally white, but its feathers turned black when it failed to return to the ark, from which Noah had sent it to find out if the flood abated. Because of the blackness of its plumage, its supposed habit of devouring the eyes and the brain of the dead, and its liking spoiled flesh, the raven was selected as a symbol of the Devil, who throws the soul into darkness, invades the intelligence, and is gratified by corruption. The raven appears in a more favorable light in relation to certain Saints. It is the attribute of St. Vincent because God sent a raven to guard his sacred remains. The raven is also the attribute of St. Anthony Abbot and St. Paul the Hermit because it brought them a loaf of bread each day while they lived together in the desert. The raven, as symbolic of solitude, is associated with these hermit Saints.
SCORPION: The scorpion is one of the symbols of evil. The sting of the tail of the scorpion is poisonous and causes great agony to the person who is stung. It is often mentioned in the Bible, "And it was given unto them that they should not kill them; but that they should torment them five months: and their torment was as the torment of a scorpion when he striketh a man. " [Apocalypse 9:5]. Because of the treachery of its bite, the scorpion became a symbol of Judas. As a symbol of treachery, the scorpion appears on the flags and shields held by the soldiers who assisted at the Crucifixion of Christ.
SNAIL: The snail was believed to be born from the mud, and to feed upon it. It was, therefore, interpreted as the symbol of the sinner, and of laziness, because it made no effort to seek food, but ate what it found at hand.
SNAKE: Satan. Evil. This is because the Devil came in the form of a "serpent" or snake to Eve in the Garden of Paradise.
SPARROW: Considered to be the lowliest among all birds, the sparrow came to be used as a symbol of the lowly, the least among all people, who were, nevertheless, under the protection of God the Father; for even the sparrow came to earth only through the will of God, and received from Him its means of life. It is also a symbol of the Holy Family, who lived a humble, lowly life in obedience to the will of God.
SPIDER: The spider is used symbolically, first to represent the miser, for it bleeds the fly as the miser bleeds the poor; second, to represent the Devil, for the Devil prepares his traps as the spider, does its web; and third, to represent the malice of evil-doers whose webs will perish like those of the spider. The cobweb is a symbol of human frailty.
STAG/HART/DEER/HIND: Piety. Faithful Christian longing for God. Christ the Savior. The stag takes its symbolic significance from Psalm 41:2: "As the hart panteth after the fountains of water; so my soul panteth after thee, O God. " Thus, the stag has come to typify piety and religious aspiration. Similarly, because the stag seeks freedom and refuge in the high mountains, it has been used to symbolize the solitude and purity of life.
The stag, as the attribute of St. Eustace and St. Hubert, is shown with a crucifix between its horns. The stag without the crucifix is an attribute of St. Julian the Hospitaller. The stag or hind is also the symbol of St. Giles, one of the Fourteen Holy Helpers because every day for a considerable period of time, when the Saint was living in the forest, a hind came to him to be milked as would a cow, thus supplying the hermit Abbot with milk.
STORK: The stork is a symbol of prudence and vigilance, piety, and chastity. It was associated with the Annunciation because, as the stork announces the coming of spring, the Annunciation to Mary indicated the Advent of Christ. It is possible that the present north European and American fable which is sometimes told to children that newborn babies are carried to their mothers by storks, may be derived from the association of this bird with the Annunciation.
SWALLOW: In the Renaissance the swallow was a symbol of the Incarnation of Christ. For this reason, it appears in scenes of the Annunciation and of the Nativity, nestling under the eaves or in holes in the wall. It was thought that the swallow hibernated in the mud during the winter, and its advent in the spring was looked upon as a rebirth from the death-like state of winter. For this reason it also became a symbol of Resurrection.
UNICORN: The unicorn, according to myth, was a small animal, similar in size to a kid, but surprisingly fierce and swift with a very sharp, single horn in the center of its forehead like the rhinoceros. Supposedly no hunter could capture the animal by force, but it could be taken by means of tricking with bait, that of a pure virgin. The unicorn, sensing the purity of the maiden would run to her, lay its head in her lap, and fall asleep. Thus it was captured. For obvious reasons the mythic unicorn was early accepted as the symbol of purity in general and of feminine chastity in particular, an allegory of the Annunciation and the Incarnation of Christ, born of a Virgin. Thus, the unicorn is usually an attribute of the Virgin Mary, but also of St. Justina of Padua and of St. Justina of Antioch, who retained their purity under great temptation.
The unicorn is mentioned many times in Scripture, in truth the rhinoceros, for this term was not yet coined. One instance is Psalm 91:11: "But my horn shall be exalted like that of the unicorn: and my old age in plentiful mercy."
WHALE: According to ancient legend, the huge body of the whale was often mistaken by mariners for an island, and ships anchored to its side were dragged down to destruction by a sudden plunge of the great creature. In this way, the whale came to be used as a symbol of the Devil and of his cunning, and the whale's open mouth was often depicted to represent the open gates of Hell. The whale also appears in the Biblical account of Jonah, who was swallowed by a whale and disgorged three days later. Allegorically, the experience of Jonah is likened to Christ in the sepulchre and His Resurrection after three days. Unfamiliarity with the appearance and habits of the whale, and even with the identification of the Biblical sea-monster as such, prevented the artists of the Italian Renaissance from painting naturalistic whales. Rather, Jonah's monster was, to them, either something in the way of a dragon, a great shaggy fish, or a dolphin.
WOLF: Heresy. Gluttony. False prophets. The Devil. Yet, in sharp contrast, the wolf is sometimes used as an attribute of St. Francis of Assisi. This is based on the famous story of the wolf of Gubbio. A wolf that had been doing great damage was being hunted by the people of Gubbio, when St. Francis encountered it. He addressed it as 'Brother Wolf,' and protected it as a fellow creature who knew no better, and set about to reform it.
WOODPECKER: The woodpecker is usually symbolic of the Devil, or of heresy, which undermines human nature and leads man to damnation.
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The link has the pictures: https://www.fisheaters.com/symbols.html
Fish: the fish -- ever-watchful with its unblinking eyes -- was one of the most important symbols of Christ to the early Christians. In Greek, the phrase, "Jesus Christ, Son of God Savior," is "Iesous Christos Theou Yios Soter." The first letters of each of these Greek words, when put together, spell "ichthys," the Greek word for "fish" (ICQUS ). This symbol can be seen in the Sacraments Chapel of the Catacombs of St. Callistus. Because of the story of the miracle of the loaves and fishes, the fish symbolized, too, the Eucharist.
The earliest literary reference to the fish as Christian symbol was made by Clement of Alexandria, who advised Christians to use a dove or fish as their seal. Tertullian wrote (in "De Baptismo") "But we, being little fishes, as Jesus Christ is our great Fish, begin our life in the water, and only while we abide in the water are we safe and sound." Also used as a Christian symbol was the dolphin, most often as a symbol of the Christian himself rather than Christ, though the dolphin was also used as a representation of Christ -- most often in combination with the anchor symbol ("Christ on the Cross").
Lamb: symbol of Christ as the Paschal Lamb and also a symbol for Christians (as Christ is our Shepherd and Peter was told to feed His sheep). The lamb is also a symbol for St. Agnes (Feast Day 21 January), virgin martyr of the early Church.
Dove: symbol of the Holy Ghost and used especially in representations of our Lord's Baptism and the Pentecost. It also symbolizes the release of the soul in death, and is used to recall Noe's dove, a harbinger of hope.
Peacock: As a symbol of immortality (even St. Augustine believed the peackock's flesh to have "antiseptic qualities" and that it didn't corrupt), the peacock became a symbol of Christ and the Resurrection. Its image embellished everything from the Catacombs to everyday objects, like lamps, especially in early Romanesque and Byzantine churches. (The peacock, for obvious reasons, was also used as a symbol for pride, too)
Pelican: The Pelican is a symbol of the atonement and the Redeemer and is often found in Christian murals, frescos, paintings and stained glass. The pelican was believed to wound itself in order to feed its young with its own blood. In the hymn "Adoro Te," St. Thomas Aquinas addresses the Savior with, "Pelican of Mercy, cleanse me in Thy Precious Blood." Allusion is even made to this belief in "Hamlet" (act iv): "To his good friend thus wide I'll ope my arms And, like the kind, life-rendering pelican, Repast them with my blood."
Phoenix: The Phoenix is a mythical creature said to build a nest when old, and set it on fire. It would then rise from the ashes in victory. Because of these myths (believed by the Egyptians, Greeks, and Orientals), the bird came to symbolize Christ.
Ship: As those outside of Noe's Ark were destroyed, the ship became a perfect early symbol of the Church with its associations with "the barque of Peter, the Fisherman." In the same vein, the main part of a church's interior, the place where the people worship, is called a "nave," from the Latin "navis" -- ship. The Ark is also a symbol of the Temple through its shape and purpose, both having three levels, etc. And as a symbol of the Temple and Church, it is a symbol of Mary, sealed off with pitch and closed up by God Himself.
Rainbow: Sign of the Covenant with Noe. Its 7 colors (from the top down: red, orange, yellow, green, blue, indigo, and violet) recall the 7 Sacraments (7 is the sign of Covenant and completion). In St. John's vision of Heaven, a rainbow makes an appearance -- over the head of the angel who gives John a book to eat (ch. 10), and surrounding the throne of God:
Apocalypse 4:2-3
And immediately I was in the spirit: and behold there was a throne set in heaven, and upon the throne one sitting. And he that sat, was to the sight like the jasper and the sardine stone; and there was a rainbow round about the throne, in sight like unto an emerald.
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The Good Shepherd: Some of the earliest depictions of Christ show Him as the Good Shepherd. This type of representation is found in the Catacombs.
Palm: victory and martyrdom. Palms are especially made use of on Palm Sunday. The ashes of palms used on Palm Sunday are later burned and used on the next year's Ash Wednesday to symbolize mortality and penance.
Scallop shell: the sea shell, especially the scallop shell, is the symbol of Baptism, and is found frequently on Baptismal fonts. The dish used by priests to pour water over the heads of catechumens in Baptism is often scallop-shaped. The scallop, too, is a symbol for the Apostle James the Greater.
Butterfly: The beautiful butterfly, with the power of flight, emerging from the apparently lifeless cocoon: what could be a more perfect symbol of the Resurrection?
Unicorn: the unicorn -- mentioned in the Bible, by the way: see Psalm 21:22, 28:6; and Isaias 34:7 -- is a symbol of chastity and of Christ Himself. Medieval legend had it that the unicorn, a feisty and fierce animal, could not be easily hunted, but if a virgin were to sit in the forest, the unicorn would find her and lay its head upon her lap. The hunter could then come by and take its horn, which was seen as having profound medical qualities (for ex., it was said to eliminate the harmful effects of a poisoned liquid). The picturing of a virgin and unicorn together, then, was common during the Age of Faith -- the former representing Our Lady, and the latter representing Christ, Who brought forth the "horn of salvation."
Ermine: the ermine was believed to have rather died than get its pure white coat dirty and, so, it came to symbolize innocence, moral purity, and the Christian's desire to die rather than commit a mortal sin. Its fur was used to adorn the clothes of clerics and royalty.
Elephant: the male and female elephant together represent Adam and Eve
Turtledove: because of their reputation for taking only one mate to whom they are faithful for life, turtledoves are a symbol of Christian fidelity. They are also known for their love of seclusion, a fact mentioned by St. Augustine (City of God, Book 16, chapter 24).
Rose: the Holy Faith, Our Lady, martyrdom, the secrecy of penance. Five roses grouped together symbolize the 5 Wounds of Christ.
Scarab: an ancient symbol of regeneration (the scarab was an especially prevalent symbol in Egypt), the scarab was adopted by Christians, too, as a symbol for the same and for the Resurrection, in particular, and for Christ Himself. Psalm 21:7's mention of "worm" ("But I am a worm, and no man: the reproach of men, and the outcast of the people") was often translated as "scarab," and St. Ambrose, Bishop of Milan (A.D. 340-397) referred to Christ as “The Good Scarabaeus” numerous times, with other Church Fathers, such as SS. Cyril of Alexandria, Augustine, etc.) following suit.
Owl: the owl has a double meaning: 1) the perfidious Jews who, preferring darkness to light, reject Jesus, and 2) (from the Aberdeen Bestiary), "In a mystic sense, the night-owl signifies Christ. Christ loves the darkness of night because he does not want sinners - who are represented by darkness - to die but to be converted and live... The night-owl lives in the cracks in walls, as Christ wished to be born one of the Jewish people, saying: 'I am not sent but unto the lost sheep of the house of Israel'. But Christ is crushed in the cracks of the walls, because he is killed by the Jews. Christ shuns the light in the sense that he detests and hates vainglory... The night-owl flies at night in search of food, as Christ converts sinners into the body of the Church by preaching. In a moral sense, moreover, the night-owl signifies to us not just any righteous man, but rather one who lives among other men yet hides from their view as much as possible. He flees from the light, in the sense that he does not look for the glory of human praise."
Cock: the cock is the harbinger of the dawn, and "Oriens" -- "Dawn" -- is one of the titles for Christ (used especially in the O Antiphons during Advent) and of the Church. It is, then, a general symbol for Hope. Given its place in the story of St. Peter's betrayal of Christ, the cock is also a symbol for both betrayal and vigilance. Pope St. Gregory the Great urged the use of the cock as a symbol for Christianity itself, and Pope St. Nicholas I decreed that the rooster should appear on church domes or steeples (which is what led to roosters appearing on weathervanes). Further, it is ancient belief that the cock's crow breaks enchantments and evil spells. Prudentius (d. 861), Bishop of Troyes, wrote "They say that the night-wandering demons, who rejoice in dunnest shades, at the crowing of the cock tremble and scatter in sore affright."
The Aberdeen Bestiary (c. 1200) speaks of the cock thusly:
The crowing of the cock at night is a pleasant sound, and not only pleasant but useful; like a good partner, the cock wakes you when are asleep, encourages you if you are worried, comforts you if you are on the road, marking with its melodious call the progress of the night.
With the crowing of the cock, the robber calls off his ambush; the morning star itself is awakened, rises and lights up the sky; the anxious sailor sets aside his cares, and very often each tempest and storm whipped up by evening winds moderates. At cockcrow the devout of mind rise eagerly to pray, able once again to read the office. When the cock crowed assiduously for the last time, Peter himself, the rock of the Church, washed away his guilt, which he had incurred by denying Christ before cockcrow.
With the crowing of the cock, as with the words of Jesus, hope returns to everyone, the troubles of the sick are eased, the pain of wounds is lessened, the raging heat of fevers is moderated, faith is restored to those who have fallen. Jesus watches over those who falter, he corrects those who stray; in short, he looked at Peter and immediately his sin went away, his denial was put out of mind, his confession followed.
The Winter Hymn of Sunday's Lauds include this hymn from St. Ambrose (d. 397):
Light of our darksome journey here,
With days dividing night from night!
Loud crows the dawn's shrill harbinger,
And wakens up the sunbeams bright.
Forthwith at this, the darkness chill
Retreats before the star of morn;
And from their busy schemes of ill
The vagrant crews of night return.
Fresh hope, at this, the sailor cheers;
The waves their stormy strife allay;
The Church's Rock at this, in tears,
Hastens to wash his guilt away.
Arise ye, then, with one accord!
No longer wrapt in slumber lie;
The cock rebukes all who their Lord
By sloth neglect, by sin deny.
At his clear cry joy springs afresh;
Health courses through the sick man's veins;
The danger glides into its sheath;
The fallen soul her faith regains.
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Triangle: a symbol of the Trinity. It's sometimes depicted with an eye inside -- God's All-Seeing Eye (see, for ex., the baptistry at St. Mary Major in Rome). This symbol with the eye, like the pentagram and St. Peter's Cross, has been co-opted and is used also by Freemasons.
Trefoil: a stylized shamrock, such as St. Patrick used in evangelizing Ireland, the trefoil is a symbol of the Most Holy Trinity.
Quatrefoil: ubiquitous in Gothic architecture, the quatrefoil symbolizes the four evangelists, as do the Winged Man (Matthew), Lion (Mark), Ox (Luke), and Eagle (John) -- the four beasts of Ezeckiel and the Apocalypse.
3 Nails: 3 nails symbolize the Crucifixion. They are three in number because two nails were used to secure Christ's Hands, and a third was used to secure His Feet. The 3 nails are often combined with other symbols, such as they are in the Jesuit seal -- the letters IHS with the three nails underneath, all surmounted by a Cross.
Anchor: found in the first century cemetery of St. Domitilla, the second and third century epitaphs of the catacombs, and especially in the oldest parts of the cemeteries of Sts. Priscilla (about 70 examples in this cemetery alone), Domitilla, Calixtus, and the Coemetarium majus. See Hebrews 6:19.
Egg: the egg is a wonderful symbol of birth and rebirth, an apparently lifeless object out of which comes life. Because of this, it is a symbol of Christ's Resurrection and is seen most often at Easter. In 2006, a necropolis under the Vatican revealed an infant who'd been buried holding an egg to symbolize his parents' hope in his resurrection, because of Christ's Resurrection.
Legend has it that St. Mary Magdalen went to Rome and met with the Emperor Tiberius to tell him about the Resurrection of Jesus. She held out an egg to him as a symbol of this, and he scoffed, saying that a man could no more rise from the dead than that egg that she held could turn scarlet. The egg turned deep red in her hands, and this is the origin of Easter eggs, and the reason why Mary Magdalen is often portrayed holding a scarlet egg.
Another level of symbolism is that the egg represents the Creation, the elements, and the world itself, with the shell representing the firmament, the vault of the sky where the fiery stars lie; the thin membrane symbolizing air; the white symbolizing the waters; and the yolk representing earth.
Keys: The Keys are the symbol of the authority of the papacy and the Church's power to "bind and loose" (Matthew 16:19 and Isaiah 22).
"Chi-Rho" or "sigla": the letters "X" and "P," representing the first letters of the title "Christos," were eventually put together to form this symbol for Christ ("Chi" is pronounced "Kie"). It is this form of the Cross that Constantine saw in his vision along with the Greek words, TOUTO NIKA, which are rendered in Latin as "In hoc signo vinces" and which mean "in this sign thou shalt conquer.
Alpha-Omega: Alpha, the first letter of the Greek alphabet, and Omega, the last letter of the Greek alphabet, became a symbol for Christ due to His being called "the First and the Last." The roots of symbolizing these attributes of God go back further, all the way to the Old Testament where, in Exodus 34:6, God is said to be "full of Goodness and Truth." The Hebrew spelling of the word "Truth" consists of the 3 letters "Aleph," "Mem," and "Thaw" -- and because "Aleph" and "Thaw" are the first and last letters of the Hebrew alphabet, the ancients saw mystical relevance in God's being referred to as "Truth." At any rate, the Greek Alpha and Omega as a symbol for Christ has been found in the Catacombs, Christian signet rings, post-Constantine coins, and the frescoes and mosaics of ancient churches.
IHS: dating from the 8th c., this is an abbreviation for "IHESUS," the way Christ's Name was spelled in the Middle Ages (despite popular belief, the monogram stands neither for "Iesus Hominum Salvator" --"Jesus Saviour of Men" -- nor for "In His Service.") Popularized by St. Bernardine of Siena, the monogram was later used by St. Ignatius of Loyola as a symbol for the Jesuit Order.
"Crux commissa" or "thau" or "tau": the T-shaped cross is mentioned in the Old Testament and is seen as a foreshadowing of the Cross of Christ. Ezechiel 9:4:
And the Lord said to him: Go through the midst of the city, through the midst of Jerusalem: and mark Thau upon the foreheads of the men that sigh, and mourn for all the abominations that are committed in the midst thereof.
The Thau of Ezechiel was itself presaged by the image of Moses's brazen serpent that he held up on a pole in Numbers 21:
And the Lord said to him: Make brazen serpent, and set it up for a sign: whosoever being struck [by the "fiery serpents"] shall look on it, shall live. Moses therefore made a brazen serpent, and set it up for a sign: which when they that were bitten looked upon, they were healed.
Because of these verses, at least one of the ancients believed the Thau to be the form of the Cross of Jesus. Tertullian wrote, "The Greek letter and our Latin letter T are the true form of the cross, which, according to the Prophet, will be imprinted on our foreheads in the true Jerusalem." (Contra Marc., III, xxii)
If "Thau" was the true form of the Cross, the existence of the titulus crucis (the plaque that bore the inscription "Jesus of Nazareth, King of the Jews") would have made the Cross at least appear to be a "crux immissa" (see below), and there would have had to have been enough of the upright post over the arms on which to affix it. Nonetheless, whether the "immissa" or commissa" was the true form of the Cross, at the very least the Thau depicts the Cross of Christ symbolically, and St. Francis of Assisi took the Thau as the symbol of his Franciscan Order.
"Crux immissa" or "Latin Cross": the most common form of the Cross and believed to be of the style on which Jesus died.
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Byzantine Cross: used mostly by the Eastern Catholic and Eastern Orthodox Churches. The second cross-bar at top is for the INRI inscription; the bottom cross-bar is His footrest.
Slavonic Cross: used most often by Eastern Catholics and Russian Orthodox, this Cross is the Byzantine Cross with the footrest at a diagonal. This slant is said to represent one of a few things: the footrest wrenched loose from the Christ's writhing in intense physical suffering; lower side representing "down," the fate of sinners, while the elevated side represents Heaven;
the lower side represents the bad thief (known to us as Gestas through the apocryphal "Acts of Pilate" ("Gospel of Nicodemus") while the elevated side to Christ's right represents the thief who would be with Him in Paradise (St. Dismas);
the "X" shape of the slanted "footrest" against the post symbolizes the cross on which St. Andrew was crucified.
Greek Cross: a very common artistic representation of the Cross. Crosses such as this one and the Tau were also popular because they were easily disguised, an important feature for persecuted Christians.
Jerusalem Cross: also called the "Crusaders' Cross," it is made up of 5 Greek Crosses which are said to symbolize a) the 5 Wounds of Christ; and/or b) the 4 Gospels and the 4 corners of the earth (the 4 smaller crosses) and Christ Himself (the large Cross). This Cross was a common symbol used during the wars against Islamic aggression.
Maltese Cross: associated with the Knights of St. John (also known as the "Hospitallers of St. John of Jerusalem" or simply "Knights of Malta"), this Cross's 8 points are said to symbolize the 8 Beatitudes and the Beatitudes' associated obligations. The Order of St. John ran hostels and hospitals for Christian pilgrims to Jerusalem, but eventually had to fight during the wars of Islamic aggression. It is said that the Maltese Cross is a symbol within a symbol in that it is made of the initial letters of the Greek words for, "Jesus Christ, God, Son, Savior" ("Iesous Christos Theou Huios Soter"), which forms the acrostic for the word "fish" (see "fish" above). When these letters -- ICQUS -- (Iota, Chi, Theta, Upsilon, Sigma) are stacked on top of each other and their "ends" closed, they form a Maltese Cross.
Baptismal Cross: consisting of the Greek Cross with the Greek letter "X", the first initial of the title "Christ," this Cross is a symbol of regeneration, hence, its association with Baptism.
Graded Cross: this Cross, also known as the "Calvary Cross," has 3 steps which represent the three Theological Virtues: Faith, Hope and Charity.
Evangelist's Cross: the 4 steps at the bottom of the Cross stand for Matthew, Mark, Luke and John.
"Crux decussata" ("decussated cross") or "St. Andrew's Cross": called "decussated" because it looks like the Roman Numeral "10" (decussis), it is also called St. Andrew's Cross because St. Andrew was crucified on a cross of this shape.
Celtic Cross ("the Cross of Iona"): stone crosses in this form dot the landscapes of Ireland and Scotland and are associated with the evangelization of these lands.
St. Brigid's Cross: St. Brigid fashioned a Cross out of rushes as she sat near a dying chieftan's bed. He asked her about what she was doing and in explaining, she recounted the story of Christ, whereupon the chieftan converted. Catholics -- especially Irish Catholics -- fashion Crosses like these on the Feast of St. Brigid (1 February).
Peter's Cross: because when Peter was to be martyred he chose to be crucified upside-down out of respect for Christ, the upside-down Latin Cross has become his symbol and, thereby, a symbol of the papacy. Sadly, this cross has been co-opted by Satanists whose purpose of "inverting" Christianity (e.g. as in their Black 'Masses') is expressed by taking the Latin Cross of Christ and inverting it.
Papal Cross: the three cross-bars represent the Latin Pope's triple role as Bishop of Rome, Patriarch of West, and successor of Peter, Chief of the Apostles
Lorraine Cross: used by archbishops and patriarchs. Also known as a "Caravaca Cross" because of a miracle, involving a Patriarch's Cross, that took place in Caravaca, Spain.
Pentagram (5-point Star): the 5 Wounds of Christ, the Star of Bethlehem; the five senses, the five Books of the Pentateuch (Genesis, Exodus, Leviticus, Numbers, and Deuteronomy).
This symbol inverted, such that a single point is at the bottom and two points are at the top, is now most commonly considered a Satanic symbol, with origins only in the 19th c., and indicates a goat's head, with two horns at the top to symbolize Baphomet. The pentagram enclosed in a circle is now most commonly associated with Wicca.
Torch of Truth: Symbol of the Dominican Order, often shown being carried in the mouth of a little black and white dog. It originates in a dream St. Dominic's mother had when she was pregnant with the Saint: she dreamed of her child as a little black and white dog illuminating the world by carrying a torch in his mouth. The Dominican Order St. Dominic founded is known as the "Order of Preachers," the colors of its habit are white and black.
1 the Undivided Oneness of God
2 the two natures of Christ; both the Divine and the material
3 the Three Persons of the Most Holy Trinity, the three Magi and their gifts
4 the Evangelists and their Gospels; the elements, humors and material world; North, South, East, and West; the four seasons
5 the Five Wounds; the senses
6 the days of creation; creation fallen; imperfection
7 covenant, oath; perfection; completion; the day God rested (the Sabbath being the sign of the Covenant with Adam); the seven colors the rainbow (a sign of the Covenant made with Noe); the seven Sacraments (the Covenant sign made with the Church); the Gifts of the Holy Ghost; the virtues and vices
8 the visible world, made in seven days, with the invisible kingdom of grace following; regeneration
9 man's imperfection; the choirs of Angels
10 the Commandments; the Plagues of Egypt
12 the tribes of Israel; the Apostles; the signs of the Zodiac; the hours of the day and the hours of the night; the penetration of matter with spirit (3 X 4)
13 betrayal; Judas
33 the number of years of Jesus's human life
40 testing and trial; the years of the Deluge; the years of wandering in the desert in Exodus; the days Moses spent on Mt. Sinai; Christ's days in the desert
72 the number of years Our Lady is said to have lived on earth, according to tradition. The belief that the Blessed Virgin lived for 72 years is not a matter of dogma or doctrine, but it is what is traditionally accepted as being the case and often has an effect in various devotions. Her age at death comes into play, for example, in the structure of "The Franciscan Crown," or "The Rosary of the Seven Joys of the Blessed Virgin Mary."
666 the number of the Beast.
1000 the millennium -- the Church Age
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